Variety evaluation, Cruise was accused of micro-managing nearly every element of the film’s production, altering everything in the script into how it was marketed. Cruise’s track record in the box office meant these changes were accepted by Universal, despite some inner doubts.
Perhaps most notably, Cruise allegedly insisted that his character, Nick Morton, be given more screen time than the mummy. According to a source, the initial script Morton sharing “virtually equal screen time” with the undead villain, which apparently did not sit well with pub; his presence was beefed up accordingly, effectively turning the terror franchise reboot into another of this celebrity’s blockbuster activity vehicles. In the end, audiences may have chosen less Cruise and more mummy–the film was a major flop.
confessed he only wished to celebrity in Snakes on a Plane because of its name– that he adored so much when executives thought changing it into Pacific Flight 121, he intervened, telling them that it was “the stupidest damn thing that I ever heard.”
Jackson also advocated for more violence and profanity, a problem because the studio pictured Snakes for a campy PG-13 action film. Eventually they agreed with his more adult-oriented shoot and he consented to re-shoots to secure an R rating–partly for the lovers who had already started freaking out within the concept of a Samuel L. Jackson film titled Snakes on a Plane, and partly because that’s what he had wanted anyhow.
, Whedon put together three pages of lines according to Downey’s suggestion, and in the newly revamped landscape, Iron Man has a little more banter with his teammates prior to indicating they opt for shawarma, a random line that was the cast’s favorite–in fact, everybody enjoyed the line so much before manufacturing wrapped, even a bonus post-credits spectacle was filmed of the entire cast eating.
mostly positive testimonials–and a whole bunch of cash–but more than a few critics and fans whined that Bryce Dallas Howard’s character somehow outruns 22 heaps of T-rex in high heels. Director Colin Trevorrow was keenly aware of how ridiculous this was, and reportedly spent much of this film’s production attempting to persuade her to actually slide into something more comfortable. Howard staunchly refused, insisting that her character needed to wear heels outrunning that giant dinosaur.
Trevorrow would later admit he was not sure exactly why Howard was so meticulous, but he respected her choice, musing that maybe Howard “felt as though surrendering the heels felt like surrendering the femininity of this character.” Howard herself would later say she expected wearing the heels become this a significant talking point, however, she was pleased to have the effort she placed running through the jungle recognized, noting no camera trickery was utilized–she really did wear the sneakers in every scene.
backhanding him with his phaser or . No matter the situation, Nimoy did not enjoy the concept of Spock finish a struggle using violence, surmising the logic-based Vulcans would naturally have a more elegant method of knocking someone out.
In accordance with Nimoy, while screenwriter Richard Matheson was open for give it a shot, it was really William Shatner’s over the top, scenery-chewing reaction to the pinch through an early shoot that offered it –and it’s been a staple of Star Trek and science fiction ever since.
when he put it he knew that’s how in which the character needed to appear. As he informed writer-director Quentin Tarantino, “this really is Jules.”
later recounted that Worthington whined about the owl at every opportunity and threatened to punch it moving as far to accuse the director of attempting to ruin his livelihood by making him celebrity opposite something really ridiculous. Leterrier goaded Worthington by saying he was not attempting to destroy his livelihood, just hurt it–that did not exactly help things. Ultimately, to support his celebrity, Leterrier completely excised the owl out of the movie, relegating it to a short cameo.
for four days within the debate.
Director David Fincher tried and failed several occasions to convince the celebrity to modify his head, each time being told that Affleck’s friends would never let him down it when footage existed of him wearing a Yankees hat. As Affleck informed the New York Times, he stated to Fincher, “David, I love you, I would do anything for you. I, however, won’t use a Yankees hat. “ Fincher finally relented and indicated a compromise–a Mets hat.
initially presumed to voice the character but died before he could complete recording his traces; following his departure, Farley’s fellow SNL alum Mike Myers stepped in. It was not until after roughly a third of this film had been revived, however, that Myers decided Shrek should be Scottish.
Myers’ reasoning was because the film’s protagonist, Lord Farquaad, spoke with an upper-class English accent, ” Shrek should seem more grim, to underline the gap between these. In addition, he believed that the Scottish accent lent itself better to dramatic, abrupt changes in tone and could enable him to emote in a more exaggerated fashion.
DreamWorks exec Jeffrey Katzenberg pegged the cost of reworking the already revived scenes in $5 to $5 million–approximately 10 percent of this movie’s overall budget. Understandably reluctant to part with that sort of cash but eager to trust that his celebrity’s process, he consented –and the remainder is blockbuster franchise background.
I am like the second baddest Jedi in the world alongside Yoda,” presumably prior to pointing out to Lucas the whole Star Wars world existed in his head so he could make whatever adjustments he damn well felt as. This seemingly swayed Lucas, who made the change –and afterwards wryly reported to Jackson that his thought had “led to a–storm online.”
Years earlier, Family Guy had made a joke about how stupid it would be for Neeson to play a female in a western because of his inability to convincingly mask his distinctive Irish accent. Neeson pointed this out to MacFarlane before saying his singular requirement for appearing in the movie was that he talk in a comprehensive Irish accent during.
MacFarlane consented and as a result, Neeson speaks with his normal accent the whole time he is on screen– because of a throwaway line in a classic episode of Family Guy indicating that it would be pretty stupid for anyone to employ Liam Neeson to star in a western.
“hideous-looking” using a muddy yellow coat, half of an ear missing, and eyes the color of rotten squash. It’s a fairly distinctive explanation, which is why fans were kind of miffed if a white and black cat played with the animal from the first Hunger Games film. According to producer Nina Jacobson, she understood instantly that lovers would be bothered by the mistake, going as far as suggesting using electronic effects to edit in a brand new cat in post-production. The studio shot down the idea, of course.
As Jacobson expected, shortly after the film’s release lovers complained about the error, with writer Suzanne Collins personally expressing her aggravation in interviews. After seeing the reaction from fans and the writer, the studio quietly recast the cat, although as director Francis Lawrence pointed out, not everybody was pleased with the change. “It’s funny because today people are broken,” he shrugged. “Some folks think we should have continued with what occurred in the first film. And a few folks are really satisfied. You never win”